Ceramist Sakshi Agarwal: Celebrating Innovative Clay Art and National Craft Excellence at CeramicsFest Delhi 2025

Ceramist Sakshi Agarwal: A Visionary Artist Redefining Contemporary Clay Art and Celebrating Innovation at CeramicsFest Delhi 2025

Ceramist Sakshi Agarwal is a New Delhi–based contemporary ceramic artist and industrial designer whose work stands at the intersection of craftsmanship, form, and conceptual exploration. With a master’s degree in industrial design from Scuola Politecnica di Design, Italy, she began her creative practice rooted in structural design thinking before transitioning fully into ceramics in 2017. Her training under Madhur Sen at Blue Turtle Studio helped shape her understanding of clay as both a functional and expressive medium.

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A Unique Fusion of Art and Design

Sakshi’s practice is distinguished by her ability to merge wheel-thrown and hand-built techniques, creating pieces that honor tactile craft while elevating visual geometry. Her works showcase meticulous carving, textural layering, and surface patterning reminiscent of architectural grids or richly woven tapestries. Through weaving geometric rhythms into clay, she constructs sculptural vessels that become repositories of memory, perception, and physical engagement. Every piece is designed not only to be seen, but to be experienced, inviting viewers into a dialogue between form and emotion.

International Exposure and Artistic Growth

Over the years, Sakshi has broadened her artistic horizons through prestigious international residencies. In 2024, she worked at the Taoxichuan International Studio in Jingdezhen, China—widely known as the porcelain capital of the world. Immersed in centuries-old ceramic culture, she deepened her appreciation of traditional processes and global craft language.

In 2025, she continued her journey at Midland Junction Arts Centre in Australia, where she also presented at the WEDGE Australian Ceramics Triennale as an invited demonstrator. This opportunity provided her a platform for global visibility and artistic exchange with leading ceramic practitioners.

Her achievements were further recognized when she won the Excellence Award at the 12th Shiwan Cup International Youth Ceramic Art Competition in 2024, honoring her conceptual clarity and precision in clay.

Exhibitions and Institutional Recognition

Sakshi has actively participated in group exhibitions across India and worldwide. Her works have been showcased at:

• Guangdong Shiwan Ceramic Museum (China)
• MJAC Art Gallery (Australia)
• Kalakriti Art Gallery
• India Habitat Centre
• Kanoria Arts Centre
• Triveni Gallery
• Bikaner House (Delhi)

Her participation highlights a growing presence in the contemporary ceramics community and positions her among India’s emerging voices in the field.

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Participation in CeramicsFest Delhi 2025

Sakshi will be presenting her latest work at CeramicsFest Delhi – 2025, an exposition of studio ceramics from across India, hosted by the Delhi Blue Pottery Trust.

Event Details
Venue: Travancore Palace, Shrimant Madhav Rao Scindia Marg, New Delhi – 110001
Dates: 26th – 28th November 2025
Timings: 11:00 AM – 7:00 PM

Opening & Awards Ceremony
• Date & Time: 26th November 2025 at 11:30 AM
• Chief Guests: Ms Tehseen Zaidi & Ms Paroma Choudhary
• Awards to be announced:
– The Sardar Gurcharan Singh Artist of the Year Award
– The Art Ichol Residency Award

The event celebrates creativity and excellence in contemporary ceramics, offering a meeting ground for professionals, students, collectors, and art lovers. CeramicsFest Delhi 2025 continues the legacy of preserving craft heritage while promoting experimentation and new directions in clay art.

A Voice Shaping the Future of Ceramic Culture

Through her innovative practice, Ceramist Sakshi Agarwal continues to challenge traditional definitions of pottery and sculpture. Her work exists at the intersection of design intelligence and material sensitivity, positioning her as a leading figure in India’s evolving ceramic landscape. With every new residency, exhibition, and creation, she contributes to a larger movement redefining clay as a medium of contemporary storytelling.

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