Sara Arjun Brings Mughal-Era Lampi Work to Life in Dhurandhar

Sara Arjun Revives Mughal-Era Lampi Craftsmanship in a Regal Dhurandhar Look by Divani

Sara Arjun brings centuries-old craftsmanship into sharp contemporary focus with one of her most striking looks from Dhurandhar, revealed through recently released still photographs. The ensemble places Mughal-Era Lampi work at the forefront, reintroducing an almost-forgotten metal embellishment technique through a powerful cinematic lens.

Rather than relying on excess ornamentation, the look draws its strength from texture, heritage, and artisanal detail. It reflects a growing movement in Indian fashion — one that values revival, restraint, and storytelling over spectacle alone.

A Lehenga Rooted in History and Texture

Sara Arjun is seen wearing the Lampi-Chaddi lehenga by Divani, a piece that foregrounds craftsmanship over embellishment-heavy design. The lehenga is created using traditional lampi gota, lending the fabric a muted metallic sheen that reacts subtly to light.

The surface appears almost sculptural, evoking the armour-like elegance often associated with Mughal court attire. Instead of sparkle, the lampi work offers depth — its reflective quality emerging quietly with movement, giving the garment a sense of dignity and power.

This restrained drama allows the craftsmanship itself to take center stage, making the lehenga feel both historic and visually modern.

Zardoz Kurti and the Language of Detail

Complementing the lehenga is an intricately crafted zardoz kurti, elevated through handcrafted naqshi jhallar detailing. Each metal element has been individually shaped and applied by skilled artisans, forming a rhythmic fringe that adds motion and dimension to the silhouette.

The use of naqshi work speaks to hours of meticulous labor — a reminder of techniques that are increasingly rare in contemporary couture. The kurti’s detailing balances structure with fluidity, enhancing the ensemble’s regal presence without overwhelming its form.

Together, the lehenga and kurti showcase how traditional methods can still feel relevant when approached with thoughtful design.

The Odhana: Softness Meets Heritage

Adding contrast to the structured ensemble is a distinctive Ek Taar Tissue odhana. The veil introduces softness while reinforcing the look’s deep connection to Indian textile traditions.

According to the label, the odhana is detailed with semi-precious pearls and emeralds, layered with age-old naqshi challa work. Hand-rolled naqshi jhallar trims frame the edges, while rich handwoven Banarasi fabric anchors the piece in heritage craftsmanship.

The result is a carefully balanced composition — where texture, material, and embellishment come together to support the cinematic narrative of the look.

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Jewellery That Completes the Regal Vision

Sara Arjun’s accessories further reinforce the old-world grandeur of the ensemble. She styles the look with a passa, also known as a jhoomar, worn elegantly along the hairline — a classic accessory once favored in royal courts.

Statement earrings and a kaan chain complete the jewellery story, enhancing the historical tone without overpowering the outfit. The styling remains intentional and restrained, allowing each element to complement the craftsmanship rather than compete with it.

Understanding Mughal-Era Lampi Work

Lampi work is a historic metal application technique considered a form of gota work. The process involves flattening thin strips of metal — traditionally gold, silver, or copper — from wire and attaching them to fabric through stitching, couching, or weaving.

Often combined with zardozi, naqshi, and badla, Mughal-Era Lampi work produces embossed floral and geometric motifs prized for their reflective, mirror-like finish. During the Mughal period, and later under princely courts such as the Nizams of Hyderabad, lampi symbolised power, prestige, and ceremonial grandeur.

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A Craft Reimagined for Contemporary Culture

Through this Dhurandhar look, Sara Arjun does more than wear a costume — she participates in the revival of a historic craft. By placing lampi work within a modern cinematic context, the ensemble bridges past and present, proving that heritage techniques can still resonate with today’s visual culture.

The look stands as a reminder that fashion can be both archival and forward-looking — preserving tradition while allowing it to evolve. In spotlighting Mughal-Era Lampi through thoughtful design, Sara Arjun helps ensure that these crafts remain visible, valued, and alive for future generations.

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