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Janhvi Kapoor Stuns in Jamawar-Inspired Couture at TIFF with Abu Jani Sandeep Khosla

Janhvi Kapoor dazzled at TIFF in Jamawar-inspired couture, blending heritage hand-embroidery with modern elegance by Abu Jani Sandeep Khosla.

Janhvi Kapoor Channels Timeless Heritage in Jamawar-Inspired Couture Saree by Abu Jani Sandeep Khosla at Toronto International Film Festival

At the Toronto International Film Festival, Janhvi Kapoor turned the red carpet into a stage for Indian craftsmanship, exuding elegance in Jamawar-Inspired Couture designed by Abu Jani Sandeep Khosla. Styled by Rhea Kapoor, her look was not just fashion—it was a statement of heritage, artistry, and timeless beauty. Draped in a pure chiffon saree, Janhvi radiated grace and modern glamour, all while honoring India’s rich textile traditions. The saree, hand-embroidered meticulously with silk threads, showcased intricate floral motifs in warm autumnal hues. Each detail spoke volumes of the master artisans who spent hours weaving heritage into fabric, transforming it into wearable art. Draped with her signature poise, the saree was paired with a backless blouse, also hand-embroidered, which added allure while keeping continuity in design.

Every stitch, motif, and silhouette reflected the unmatched artistry of Abu Jani Sandeep Khosla, a duo celebrated for their ability to preserve authenticity while appealing to global audiences. No detail was overlooked. Even Janhvi’s shoes were hand-embroidered, a rare luxury in modern couture that elevated the look beyond conventional red-carpet fashion. This painstaking attention transformed the ensemble into a complete vision of craft, rather than just clothing. Abu Jani Sandeep Khosla have consistently celebrated Indian handwork, reinventing traditional embroidery for today’s couture while keeping its roots intact. To add layers of history and depth, Janhvi Kapoor paired her saree with a vintage men’s jamavar jacket from the 1980s. Upcycled and edged with hand-embroidered borders, the jacket symbolized continuity of heritage in modern style.

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Draped with it was an antique jamavar shawl from Rhea Kapoor’s personal archive. Its handmade silk thread tassels echoed the saree’s detailing, uniting the ensemble as a harmonious vision of old-world artistry meeting new-age fashion. This combination gave the look gravitas, turning it into a cultural dialogue rather than a fleeting style statement. Complementing her attire, Janhvi wore jewellery that carried deep symbolism. Her silver earrings drew inspiration from the Kashmiri dejhur, traditionally worn by brides. Reimagined with a modern sensibility, they carried an emotional resonance, linking her couture moment to centuries-old traditions.

The fusion of reinvention and homage made her appearance not just elegant but meaningful. It was a sartorial narrative of legacy, craftsmanship, and timelessness. At TIFF, Janhvi Kapoor demonstrated how Indian couture can transcend borders, embodying both sensuality and grace while telling a story rooted in heritage. Her look highlighted the enduring beauty of Kashmiri textile traditions, particularly jamavar weaving, which has long been revered for its intricacy and regal aura. By wearing pieces that combined archival artistry with contemporary finesse, Janhvi celebrated heritage as living, breathing art. More than a red-carpet outfit, her appearance was a reminder of the global relevance of Indian craftsmanship.

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Abu Jani Sandeep Khosla’s work once again stood as a testament to how traditional embroidery can be elevated into couture while maintaining authenticity. Janhvi’s fashion moment at TIFF wasn’t merely about glamour—it was about keeping cultural narratives alive, showing how artistry passed down through generations can still captivate the world. In Jamawar-Inspired Couture, she embodied the rare harmony of vintage and modern, creating a look that was as much about storytelling as it was about spectacle.

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